Hollywood is experiencing a seismic displacement that is impacting its business, brand, and future prospects.
Since the disgusting serial behavior of Harvey Weinstein was made known to the public courtesy of the tenacious reporting of journalist Ronan Farrow, some of the most powerful members of the Hollywood community have been accused of various forms of sexual misconduct ranging from sexual harassment to criminal sexual assault.
The alleged perpetrators comprise a list of some of the biggest and most heralded names in Hollywood, including Ben Affleck (actor and Oscar winning director), Dustin Hoffman (Oscar winning actor), Kevin Spacey (Oscar winning actor), Jeremy Piven (Emmy winning television actor), James Toback (director and Oscar nominated screenwriter), and David O. Russell (Oscar nominated director).
For decades the Hollywood community has in large part ignored and even condoned the contemptible behavior of Roman Polanski (Oscar winning director) and Woody Allen (four-time Oscar winner).
New revelations related to Hollywood’s unseemly side seem to be pouring in by the hour. Now accusations against Spacey are opening up yet another horrific illegality that has been the subject of rumors in the town for years, the unspeakable crime of pedophilia.
Never before has a scandal this dark and pervasive draped the Hollywood community with such ill-repute. And never before has the Hollywood brand been sullied as badly as it has been during this past year.
Adding to the crushing weight of it all is the fact that the entertainment business is suffering damages in a dollar amount that is still impossible to calculate. Many of those who are currently accused of misconduct have potentially profitable current and future projects that have been cancelled or put on hold.
Some of the accused have careers that are, at a minimum, severely impaired. For others it is most certainly over.
As viewers of entertainment industry award shows are able to attest, Hollywood has set itself up as an agenda driven purveyor of cultural norms. Many entertainment figures are infamous for talking down what they view as “fly-over” country.
Middle America is the place that so-called progressives on the Left Coast use to bolster one another’s views with unfounded smug certainty. Even as Hollywood pitches its out-of-the-mainstream worldview, a twisted form of narcissism, self-idolatry, still rules the roost and blinding hypocrisy reigns. This is particularly evident when it comes to the outward display of self-congratulation via the award ceremony industry.
Movies about Hollywood itself seem to be the recipients of a disproportionate degree of attention, e.g., “The Artist,” “La La Land,” “Argo” and “Trumbo.”
The Left Coast is also in the ugly habit of deriding those who promote government reduction, self-defense rights, border enforcement, and the like. Judeo-Christian faith expression serves as fodder for snide comedic skits and perverse story plotlines. Intact marriages and loving families are the stuff of ridicule. And patriotism has been recast as divisive, outmoded, and worse.
There is a consequence to embracing a worldview that is devoid of time-honored values. What we have now in Hollywood is a frayed fabric that continues to unravel with no apparent way of mending.
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