Sexual Misconduct Allegations against Les Moonves Stun Hollywood

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Ronan Farrow, who already won a Pulitzer Prize for breaking the Harvey Weinstein story, has now unveiled another detailed account, which involves alleged sexual misconduct on the part of the singular most powerful and influential media executive in the world, Les Moonves.

According to Farrow’s New Yorker article, six women accuse the chairman and CEO of CBS Corporation of various forms of sexual harassment and intimidation, and dozens more claim that they suffered abuse at the company as well.

Farrow’s piece also documents a culture of sexual harassment at CBS, focusing specifically on CBS News, the former employer of another figure who had a career end due to sexual misconduct allegations, Charlie Rose.

The account by Farrow includes allegations of physical intimidation and threats to derail careers, which took place during the mid-1980s through 2006.

Among the accusers is actress Illeana Douglas, who claims that, when she attended a 1997 meeting with Moonves, he “violently” kissed her while holding her down.

“The physicality of it was horrendous,” Douglas said.

The CBS board of directors indicated in a statement that it would investigate any allegations of misconduct and further indicated that the claims would “be taken seriously.”

Moonves himself acknowledged in a statement that he “may have made some women uncomfortable by making advances.” He expressed immense regret for what he characterized as “mistakes.” However, he otherwise denied all of the claims in Farrow’s story.

Farrow’s article also contains sexual harassment allegations against a group of CBS News executives, including the former head of the news division and current executive producer of “60 Minutes” Jeff Fager. According to Farrow, CBS News executives were promoted, despite allegations of sexual misconduct that ended in settlements. Fager also responded that the allegations against him are false.

Moonves, according to Forbes, has a net worth of $700 million and is one of the highest paid CEOs, with a yearly compensation of close to $70 million.

The CBS head has been in a public tug-of-war with Shari Redstone, who has been urging CBS to merge with Viacom following the current media consolidation trend. Redstone owns a controlling 80 percent stake in CBS and Viacom via her family company.

Moonves has resisted Redstone’s proposal and has done so in court. In May 2018 CBS filed a lawsuit in an attempt to prevent a merger of the network with Viacom, accusing Redstone of breaching her fiduciary duty to CBS shareholders. The case is set for trial in October 2018.

From Redstone’s perspective, as well-heeled tech firms have bought into the entertainment space, studios have sought to merge with telecommunications companies, including ATT/TimeWarner and Comcast/Universal, and other entertainment media concerns, e.g., Disney and Fox.

Moonves has led CBS to a number one spot with regard to a broadcast network and a transformed it into a very profitable company. The success is primarily due to Moonves’s uncanny ability to pick winning television programming. He is, after all, the individual who when serving as president of Warner Bros. Television, green-lighted “Friends” and “ER.” And during his tenure at CBS, “Big Bang Theory,” “Everybody Loves Raymond,” “Survivor,” and “CSI” were launched.

The CBS head is concerned that revenues at Viacom have been headed downward and a move to combine companies would hurt earnings.

The litigation as well as the outcome of the trial, coupled with the sexual misconduct claims, are placing Moonves’s career in jeopardy. If the allegations are deemed by the board to be genuine, it is highly likely Moonves will be asked to step down, which, in turn will make it more probable that Redstone will be able to obtain her goal of a recombined CBS/Viacom.

Some media outlets have questioned the timing of the sexual misconduct charges, which have occurred not only in the middle of the company’s public legal dispute but two weeks ahead of the annual shareholder meeting and mere months before the trial begins.

This has led to Redstone’s representative releasing a statement, which puts forth a denial that Redstone had any involvement with the release of Farrow’s report.

“The malicious insinuation that Ms. Redstone is somehow behind the allegations of inappropriate personal behavior by Mr. Moonves or today’s reports is false and self-serving,” the statement read.

Ironically, Moonves has been a vocal supporter of the #MeToo movement and is a founding member of the Commission on Sexual Harassment and Advancing Equality in the Workplace, which was formed in late 2017 and is headed up by Justice Clarence Thomas’s chief accuser, Anita Hill.

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Hollywood Has a Meltdown over Roe v. Wade Film

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“You can’t handle the truth!”

The memorable line by Jack Nicholson in “A Few Good Men” fits like a glove.

When it comes to subject matter that is outside the leftist box, Hollywood just can’t endure any factual information coming to light, as witnessed by the massive overreaction by the entertainment elite to a pro-life project that is currently in production.

According to the Hollywood Reporter, the film, which deals with the backstory of the landmark decision that legalized abortion in America, Roe v. Wade, is being shot in Louisiana. Its working title is “1973,” a reference to the year of the Supreme Court decision that polarized the nation.

The left is particularly rattled over the abortion issue right now since President Donald Trump is naming a conservative nominee to the Supreme Court.

Nick Loeb, a banking heir who formerly dated actress Sofia Vergara, is directing the movie and began filming in mid-June. He told the Hollywood Reporter that his court battle with Vergara over access to the couple’s frozen embryos prompted him to do the film.

“I have my own pro-life issue going on with my fight over embryos, but no one has really told the whole truth about Roe v. Wade in a film,” Loeb said.

Aware of the disdain that the entertainment industry has for the pro-life perspective, Loeb initially attempted to be low key about the project, cast and crew so as to forestall the backlash that would inevitably come.

However, when Loeb told LifeNews about his motivation behind the film, he left subtlety behind. “This is the untold story of how [abortion activists] lied and manipulated Jane Roe, the media, and the courts into the decision to allow abortion in 1973,” Loeb said.

In knee-jerk fashion, the entertainment press began trashing the film, despite the project not having been completed, edited, or screened.

–The Daily Beast published a piece with the headline “‘Roe v. Wade’ Script Leak: Pro-Life Movie Pushes Conspiracy Theories and Lies.”

–A Huffington Post headline read “Anti-Abortion Movie About Roe v. Wade Is Pushed By Nick Loeb.”

–The New York Daily News used the following title for an article on the movie: “No one wants to help Nick Loeb make his anti-abortion film ‘Roe v. Wade.’”

Particularly snarky was the Daily Beast’s characterization of the project as a “movie in chaos,” describing cast and crew departures due to the nature of the subject matter. And the Hollywood Reporter indicated that a costume maker, electrician, and director had walked off the project.

The subject matter also created difficulties for Loeb’s choice of filming locations. Loeb shared the following about a request that was made to shoot at Louisiana State University: “We were told we were rejected due to our content, even though it will be a PG-rated film. They refused to put it in writing, but they told us on the phone it was due to content.”

Even after the production was permitted to use a local synagogue, the crew was kicked out after the leaders found out about the movie’s message.

“Once they found out what the film was about, they locked us out. We had to call the police so that the extras and caterers could retrieve their possessions,” Loeb told the Hollywood Reporter.

Facebook blocked crowdfunding for the film, but it is still ongoing at GoFundMe and IndieGoGo.

The Daily Beast obtained a copy of a leaked script that reportedly showed the project’s “severe anti-abortion stance.” The Beast is apoplectic that the narrator of the story is Dr. Bernard Nathanson (portrayed by Loeb). Nathanson happens to have co-founded the National Association for the Repeal of Abortion Laws (NARAL). However, after having witnessed the details of an abortion procedure via ultrasound, he became a dedicated pro-life activist.

Nathanson became an archenemy of the left after having narrated the profoundly compelling 1984 pro-life film “The Silent Scream.”

The cast of the upcoming pro-life movie includes many openly conservative Hollywood residents including Stacey Dash, who portrays Dr. Mildred Jefferson, a founder of the National Right to Life Committee; Jon Voight, Robert Davi, Corbin Bernsen, John Schneider, William Forsythe, Wade Williams, Richard Portnow, and Jarrett Ellis Beal, who portray Supreme Court justices; and Jamie Kennedy, Joey Lawrence, and Greer Grammer (daughter of Kelsey Grammer) are also cast members.

Adding to the left-wing discomfort are some cameos courtesy of commentators Tomi Lahren and Milo Yiannopoulos.

The film’s executive producer is pro-life advocate Alveda King, the niece of Martin Luther King, Jr.

“This big screen movie is the real untold story of how a mountain of lies led to an injustice that deprived millions of people of human dignity and human rights,” King says in the trailer.

The untold story includes Planned Parenthood’s scheme to recruit a pregnant girl to file a lawsuit that would create a right to an abortion. According to the film’s description, Nathanson, Betty Friedan and Planned Parenthood searched “the country to find a pregnant girl” that they could “use to sue the government for her right to have an abortion.”

The film also takes on the forbidden facts concerning the founder of Planned Parenthood, Margaret Sanger. Despite the left’s attempts to minimize Sanger’s fondness for eugenics, Sanger solicited eugenicists’ writings for her conferences, asked them to testify in congressional hearings, and gathered them together to advance the cause.

Sanger also urged state-imposed compulsory sterilization and segregation of people with mental or physical disability, those in poverty, and those considered illiterate. She sought out eugenicists to become board members of her American Birth Control League, the predecessor organization to what is now known as Planned Parenthood.

Hollywood Aligns with the Democrats to Try and Get Rid of ICE

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Hollywood celebrities recently made their presence felt at gatherings across the country, ostensibly to protest the separation of children from their illegal immigrant parents, a policy that actually existed during prior presidential administrations.

Similar to other nationwide events that the left has managed to engineer, this one had a social media hashtag name attached to it: “Families Belong Together.”

Left-wing groups are apparently choosing to ignore President Trump’s recently signed executive order, which ended the policy of separating children from their detained parents after the parents had illegally crossed the United States border.

In Los Angeles, protestors were joined by actors Laura Dern, Mira Sorvino, and Connie Britton, along with singer John Legend and his wife Chrissy Teigen. Legend used the opportunity to debut his newly released single.

In New York City, actors Kerry Washington, Amy Schumer, Alec Baldwin, Ellen Page, and Carrie Coon participated in the march.

In Washington, D.C., Broadway star Lin-Manuel Miranda, singer Alicia Keys, and actors America Ferrera and Diane Guerrero took part in demonstrations.

Many who were at the Downtown L.A. rally called for the dismantling of the U.S. Immigration and Customs Enforcement agency, commonly known as ICE, and even carried signs that read “Abolish ICE.”

The Coalition for Humane Immigrant Rights of Los Angeles, a group involved in the march on the West Coast, issued a statement that spoke of how the agency was “terrorizing…entire communities,” adding the admonition that “all of these violations will continue to take place unless ICE is abolished.”

The “Abolish ICE” movement has dramatically morphed from a position that was held by a socialist fringe to a political slogan that is embraced by significant national Democratic office holders and candidates.

After a surprise upset primary win by 28-year-old self-described socialist Alexandria Ocasio-Cortez, the victor’s central slogan “Abolish ICE” began to spread throughout the left-wing infrastructure.

The first sitting senator to embrace the trend was Sen. Kirsten Gillibrand, who declared that the U.S. should “get rid of” ICE and “start over.”

New York Mayor Bill de Blasio tweeted, “ICE is broken, it’s divisive and it should be abolished.”

Sen. Elizabeth Warren posted on Facebook that the nation should replace “ICE with something that reflects our values.”

Sen. Kamala Harris and former actor-turned-New York gubernatorial candidate Cynthia Nixon both hopped on the bandwagon as well.

Rep. Pramila Jayapal called ICE a “rogue agency,” and Rep. Mark Pocan announced that he would be introducing a bill to abolish the agency.

As the proposal gains momentum with those on the left side of the political aisle, a brief analysis is warranted, which will hopefully bear fruit.

The notion of doing away with ICE has profound ramifications with regard to national security, law enforcement, and border integrity. ICE was formed following the horrific terror attacks of September 11, 2001; this was the same time period during which the Department of Homeland Security was created.

The functions of several border and revenue enforcement agencies were consolidated into ICE, resulting in it becoming the largest investigative arm of the Department of Homeland Security.

–The agency handles the investigatory work and enforcement of over 400 federal statutes and additionally provides attachés at major U.S. diplomatic missions overseas.

–The agency’s all-important activities impact national security with regard to investigation for the prosecution and removal of foreign-born terrorists, terrorist supporters, and hostile foreign intelligence agents located within the United States.

–The agency regularly provides counter-terrorism information in order to prevent and disrupt terrorist cells.

–The agency is also charged with important policing functions and targets violent transnational street gangs in order to prosecute and remove illegal immigrant gang members from the country.

–The agency investigates criminal drug traffickers, manufacturers and distributors of images of child abuse, child exploiters, money launderers, arms dealers, and intellectual property counterfeiters.

The idea of abolishing an agency that is responsible for so many vital functions is a flat-out dangerous one, and the more people learn about this essential agency called ICE, the less willing they will be to support anyone who would advocate its abolition.

‘Roseanne’ without Roseanne Barr?

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After Disney and ABC gave Roseanne Barr the severest of penalties for her ill-fated tweet by canceling her television show “Roseanne,” sources indicate that the ABC brass are now looking into the idea of continuing the sitcom in some fashion without Barr.

TMZ first reported the following: “The powers that be at ABC are exploring the possibility of re-branding the show and focusing on the character Darlene instead of Roseanne.”

A pitch meeting is set to take place between the producers of “Roseanne” and Disney ABC executives on June 4 to explore a revival of the “Roseanne” reboot with a new name minus the show’s namesake.

The key individuals that have been pursuing the continuation of the sitcom include co-star and executive producer Sara Gilbert, showrunner and executive producer Bruce Helford, and executive producer Tom Werner.

Gilbert was the driving force behind the initial “Roseanne” reboot. Helford was the co-creator and executive producer of “The Drew Carey Show” as well as the executive producer and writer for the original “Roseanne” during season five of the series. Werner co-founded the Carsey-Werner Company and was executive producer of the original “Roseanne,” along with “The Cosby Show,” “A Different World,” “3rd Rock from the Sun,” and “That 70s Show.”

Even if ABC greenlights a revival of a reboot, financial and legal obstacles may end up thwarting its plans. Carsey-Werner owns the lion’s share of the rights to “Roseanne.” However, Barr was the co-creator and executive producer of the show and has contractual financial interests in the series.

ABC is aware of the fact that a competing network faced a similar problem when it removed the lead actor from a top sitcom. Charlie Sheen was fired from “Two and a Half Men” in 2011, and Ashton Kutcher became the star of the show. Sheen also possessed contractual financial interests in the show and filed a $100 million lawsuit to pursue those interests, which concluded with a settlement of $25 million.

Barr has indicated via her Twitter account that she is thinking about fighting back against the cancellation of her reboot. Depending on the provisions in her contract, she may be able to legally challenge the attempt to create a spinoff that has the same characters and similar plotlines.

Disney ABC attorneys could even find themselves working overtime to negotiate a buyout of Roseanne’s rights in order to move forward with a project without her.

Another significant challenge involves the cast. Key members may not wish to be associated with the show or may have conflicting projects. Actors need to know that a project is real so that they can reserve time on their calendars.

It would be crucial for the producer to secure co-stars John Goodman and Laurie Metcalf for the new project. Goodman is a sought after character actor, and Metcalf just snagged an Oscar nomination for “Lady Bird” and is additionally doing well on Broadway. The aforementioned Gilbert has her continuing spot on CBS’s “The Talk” to protect.

The writing staff would have to be contracted as well. Ironically, on the very same day that ABC cancelled “Roseanne,” the writers had gathered at the studio lot to begin work on the upcoming season.

Despite the cancellation, ABC and Carsey-Werner reportedly have a contractual obligation to pay key cast members and writers for the upcoming season on a 10-episode guarantee, which provides an incentive to revive the series reboot.

There are other shows that have continued on following the departure of their lead actors. Current streaming programs “House of Cards” and “Transparent” have both made the transition following the removal of their respective stars Kevin Spacey and Jeffrey Tambor.

An example often cited by industry experts is one from the 1980s. A successful sitcom, “Valerie,” starred Valerie Harper as a career mother, who along with a somewhat invisible airline pilot husband is raising her three sons. After Harper had a dispute with the show’s producers, she was written out of the series. Sandy Duncan joined the cast as the boys’ aunt, who moved in and became their de facto parent. The series was renamed “Valerie’s Family: The Hogans,” which was later shortened to “The Hogan Family.”

However, the unprecedented success of the “Roseanne” reboot differs from the run-of-the-mill television project. Barr had built a sizable reservoir of conventional fandom during her syndication run of 25 years. What gave the reboot such exceptional impetus was the bond that she shares with millions of people, many of whom voted for President Trump, who were chiefly responsible for the phenomenal ratings of the show and who managed to transform a television debut into a cultural event.

A “Roseanne” series without Roseanne may initially draw the curious. But without the show’s comedic and cultural core cast member, it would likely end up as a shadow of its former self.

The Left’s Attempt to Silence Kanye West

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Author and conservative icon Andrew Breitbart had a phrase that rings true to this day: “Politics is downstream from culture.”

For decades now the left has maneuvered its way into dominating the pop culture as well as the cult of personality itself. Liberal political mantras have engulfed a once vibrant arena in which an exchange of ideas lived and breathed.

Far-left activists, who in many instances amassed their fortunes on fertile Left Coast soil, took to using their positions of prominence to force agenda-ridden content into every facet of the entertainment industry.

Kanye West, one of the most well known celebrities in the entertainment world, recently disrupted the info world order and did so by expressing to his millions of Twitter followers material that is contrary to current liberal doxology.

Kanye’s first tweet made social media heads explode.

I like the way Candace Owens thinks,” the rapper-entrepreneur posted.

Essentially Kanye endorsed Owens, who is a talented African-American woman who speaks out against victim-hood and, in her words, the “Democratic Party plantation.”

The media organs of the left reacted in predictable fashion, attempting to disparage, isolate, and destroy Kanye as well as any other notable individual who would dare traffic in liberal political “heresy.”

The pattern has become all too familiar as has been witnessed with various other celebrities, including Shania Twain, Roseanne, and Tim Allen. However, Kanye’s position in pop culture appears to pose a greater threat to the liberal powers that be, particularly because he is an African-American who is held in high esteem within his own community and an ever widening circle.

West has been known to frequently delve into matters deemed controversial, but in this case the media appear to have placed him on an exile list for having expressed views that differ from the mandated liberal slate.

A highly unusual number of Kanye-bashing headlines have arisen, including the following:

— “You Know You’ve F***ed Up When Donald Trump Thanks You” (Esquire)

— “How Red-Pill Culture Jumped the Fence and Got to Kanye West” (Wired)

— “The bizarre political evolution of Kanye West” (The Washington Post)

The Post was not done yet. It went on to viciously associate Kanye with the Alt-Right in a piece titled “Kanye West, alt-right darling.”

Throughout the Internet and social media, reactions by resistance trolls were filled with vulgar, profanity-laced tirades, including platforms such as Facebook, Twitter, YouTube and other left-of-center websites. Celebrities began to unfollow Kanye on Twitter, including Drake, Justin Bieber, BTS, The Weeknd, Rihanna, Ariana Grande, Harry Styles, Katy Perry, Nicki Minaj, and Kendrick Lamar.

Members of the Kardashian clan, Khloé and Kourtney Kardashian and Kylie Jenner, apparently also stopped following Kanye. Rosie O’Donnell and Samuel L. Jackson tweeted out highly negative reactions to Kanye’s posts.

John Legend and his wife Chrissy Teigen are no longer Kanye followers. The reflexively liberal Legend evidently texted Kanye to try and convince him to back off from his recent posts.

I hope you’ll reconsider aligning yourself with Trump,” the singer-songwriter wrote.

In a tweet of a screenshot of a text thread, Kanye made it a point to let Legend and the public know that he takes his pro-Trump expressions seriously. He texted that Legend was using “a tactic based on fear” to undermine Kanye’s political and cultural beliefs.

With a post that read “Black people don’t have to be democrats,” Chance The Rapper tweeted out what appeared to be support for Kanye. However, in a redux of the Shania Twain debacle, after being blasted on social media Chance backtracked and made statements that he is not a Trump supporter.

Despite all of the backlash, Kanye forged ahead with a stream of posts expressing his affection for the president, including a photo of his personal “Make America Great Again” cap, complete with an autograph by the current occupant of the Oval Office.

You don’t have to agree with Trump,” Kanye tweeted, “but the mob can’t make me not love him.”

He referred to President Trump as his “brother” and explained that they both possess “dragon energy.” He even doubled down on his pro-Trump expressions with the release of a new song “Ye vs. the People”

Because Kanye is such a seminal figure within the pop culture, his independent minded thoughts threaten the exclusivity of a territory that the left wing and the Democratic Party have always dominated.

The African-American vote is a significant part of left-of-center constituents. African-American voters typically choose Democrat candidates at a 90 percent level. If there is even a small drop in the African-American Democrat vote, the Party’s candidates are simply going to lose.

Trump’s Twitter Account Is Keeping Us Safe

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President Donald Trump’s tweet, which was in response to Kim Jong Un’s posturing, has put CNN media reporter Brian Stelter into an even greater degree of hysteria than usual.

Stelter was in an agitated state when he disclosed to CNN host Anderson Cooper that he had contacted the authorities at Twitter to prompt the social media giant take action against the president.

The exchange between the North Korean dictator and the democratically elected leader of the free world dealt with the subject of the “nuclear button” of each country. Stelter apparently saw an opening in the digital realm to put a stop to President Trump’s tweets, something that those who are opposed to the Trump administration’s agenda have been trying to do since day one.

Stelter evidently wanted the Twitter censors to act in some policing type way against the Trump Twitter account phenomenon, @realDonaldTrump. The CNN propagandist cited the social media platform’s terms of service and claimed that the president’s tweet had somehow violated the Twitter-verse rules.

In a New Year’s Day address, North Korea’s leader, now branded as “Rocket Boy,” declared that the rogue nation’s nuclear capabilities are “reality,” not mere threats, and boasted of having a nuclear button on his desk.

“The U.S. should know that the button for nuclear weapons is on my table,” Kim said, adding that “the entire area of the U.S. mainland is within our nuclear strike range.”

In the reply tweet, President Trump posted that he also has a nuclear button, and made it clear that “it is a much bigger & more powerful one than his [Kim], and my Button works!”

Stelter also claimed, as many of his fellow fake news purveyors have of late, that President Trump’s tweet raises questions about his cognitive abilities, another transparent effort by the liberal media to distract, since their Russia-collusion allegations have fallen flat.

The CNN fiction reporter said that social media should be used by politicians to “persuade the public to come to their side.” However, Stelter is asserting that President Trump is doing something other than trying to persuade via his Twitter account.

Stelter essentially tried to play the role of snitch by reporting the president’s tweet to a Twitter spokesperson. Although there have been repeated demands from adversaries of President Trump to have Twitter shut down the now famous account and remove it from service, Twitter has unequivocally refused to do so.

In a recent blog post, Twitter indicated that tweets posted by world leaders ought to be discussed, and additionally noted that removing such statements from the Twitter platform would not be effective.

“Blocking a world leader from Twitter or removing their controversial Tweets, would hide important information people should be able to see and debate,” the Twitter post read. “It would also not silence that leader, but it would certainly hamper necessary discussion around their words and actions.”

Nikki Haley, the U.S. Ambassador to the United Nations, concisely highlighted the usefulness of the president’s Twitter account by explaining the diplomatic value of the “nuclear button” tweet.

During an appearance on ABC’s “This Week,” when asked whether the president’s tweet was a good idea, Haley responded, “I think that [Trump] always has to keep Kim on his toes. It’s very important that we don’t ever let him get so arrogant that he doesn’t realize the reality of what would happen if he started a nuclear war.”

Haley said North Korea should clearly understand that the United States means business when it comes to Kim.

“We’re not going to let them go and dramatize the fact that they have a button right on their desk and they can destroy America,” Haley said. “We want to always remind them we can destroy you too, so be very cautious and careful with your words and what you do.”

Hollywood’s Wrong on Choice of Anita Hill to Lead Sexual Harassment Commission

It has been a couple of months since allegations of sexual improprieties began to rain down on Hollywood, and the entertainment community has been struggling to come to grips with the continuing fallout.

Bombshell accusations that began with Harvey Weinstein have continued to flow and alleged perpetrators of wrongdoing now include Kevin Spacey, Dustin Hoffman, Brett Ratner, Matt Lauer, Louis C.K., Russell Simmons, Charlie Rose, Garrison Keillor, and Tavis Smiley.

Elites from the highest ranks in Hollywood have been under pressure to demonstrate major concern and provide reassurance to the public that something is going to be done to remedy the situation.

Amid all the trepidation and turmoil, the awards season quickly approaches. This is traditionally a high intensity time when the spotlight shines on the entertainment industry to the maximum degree, and the whole world tunes in to prestigious events that include the Screen Actors Guild (SAG) Awards, Critics’ Choice Awards, Grammys, Golden Globes, and, of course, the apex of awards shows, the Oscars.

The mood in the greater Los Angeles community, though, has darkened as a result of the scandals, and the awards shows themselves cannot help but be affected.

Next year’s SAG Awards ceremony, which will dole out thirteen acting awards, will feature female host Kristen Bell and will additionally have all women presenters. The Golden Globes will address the sexual impropriety issues by having all of the actresses involved, including nominees Emma Stone, Jessica Chastain, and Meryl Streep, wear black outfits while on the red carpet as well as during the ceremony itself.

As for the form of seriousness and sorrow that the Oscars will display has yet to be made known. It is highly likely, however, that a similar approach will be taken during the Academy Awards telecast.

The general form-over-substance expressions are, in many instances, rather harmless. This is not the case with regard to a recent appointment to head a new presumably powerful Hollywood group.

If there were any doubts that the entertainment community remains decidedly out of touch with the majority of its customers, the choice of Anita Hill to chair Hollywood’s newly formed Commission on Sexual Harassment and Advancing Equality in the Workplace is the latest manifestation of a kind of tone deafness on the part of Tinseltown, especially when it comes to the Hollywood brand.

Hollywood executives have decided to follow the lead of politicians in the nation’s capital, the ones who routinely convene a “blue ribbon commission” to give the perception that problems are being solved. A similar body has been created to deal with the growing list of Hollywood sexual abuse scandals.

Hollywood executives have chosen precisely the wrong individual to head the commission. The announcement that Hill would be taking the top spot came after a meeting was spearheaded by Lucasfilm President Kathleen Kennedy, Nike Foundation Founder and Co-Chair Maria Eitel, entertainment attorney Nina Shaw, and venture capitalist Freada Kapor Klein.

Hollywood’s deep concern over the issue of sexual misconduct is reflected by the power players that attended the event, which included Disney Chairman and CEO Bob Iger, Paramount Chairman and CEO Jim Gianopulos, CBS Corp. Chairman and CEO Leslie Moonves, Warner Bros. Chairman and CEO Kevin Tsujihara, Universal Chairman and CEO Jeff Shell, Sony Chairman and CEO Tony Vinciquerra, Netflix Chief Content Officer Ted Sarandos, William Morris Endeavor Co-Chairman Ari Emanuel, CAA Co-Chairman Bryan Lourd, and Founding Partner of ICM Chris Silbermann, along with the heads of the motion picture, recording, and television academies, and the actors, writers, directors, and producers guilds.

Hill achieved fame in the early 1990s when she brought forward allegations of sexual harassment during the Senate confirmation process for U.S. Supreme Court Justice Clarence Thomas.

The problem for Hollywood is that Hill failed to tell the truth. Her behavior was inconsistent with someone who had been a victim of sexual harassment. Hill followed Justice Thomas from one job to another, made numerous personal telephone calls to the man she claimed had sexually harassed her, and the calls continued even after she was no longer working for him. She denied having ever made the calls but changed her story after phone records were produced.

Hill initially asked that her name not be mentioned when the accusations were presented to Justice Thomas. The accusations referred to events that were supposed to have occurred when only she and Justice Thomas were in the same room, so if the allegations were true, Justice Thomas would certainly have known who had made them. The anonymity request only made sense if the charges were false.

On several occasions, Hill denied that she had communicated with a Democratic staffer. She later reversed herself when under oath.

A witness that was supposed to be corroborating Hill’s accusations claimed that Hill told her details about the supposed sexual harassment in a telephone call. However, it turned out that the call took place before Hill worked for Justice Thomas.

Polls taken following the hearings, which had been televised daily, showed that twice as many Americans believed Justice Thomas over Hill.

The left continued to attempt to smear Justice Thomas in the intervening years and even went as far as producing an HBO film, which disingenuously attempted to make Hill into a heroine.