Why Historical Statues Need To Be Preserved

We are living in truly disturbing times.

Although much could be said on this topic, in the interest of time the following commentary will be limited to a discussion of the destruction of historical monuments and statues that were intended to commemorate past individuals and/or events of national importance.

Centuries old historical figures and their counterpart statues are presently being deconstructed by activist left-wing zealots.

Rather than focusing on the character, courage, and altruism of former civic ancestors, those bent on destruction are purposefully displacing them from the context of their respective historical time periods, only to hold them to modern-day standards.

The following example is one that is currently in the news.

The Democrat-led New York City Council has advanced a bill that, if passed, will result in the removal of works of art, including statues that depict some of America’s most influential historical figures.

Statues of George Washington, Thomas Jefferson, Christopher Columbus, and many others are on New York City’s potential chopping block.

These are individuals who have played enormously important roles in the creation of America. Their statues serve as reminders of the contributions that they made and ideals they held, which enabled them to lead a people from autocratic rule to representative democracy.

The removal of such statues is part of a woke handbook, which seeks to redact from the pages of history those whose life stories don’t fit the desired narrative of those presently in power.

The Long Island town of Brookhaven is coming to the rescue, offering to take possession of the statues and even cover the costs for dismantling and shipping them.

Reportedly, officials have indicated that they already have spaces available for placing the statues in Brookhaven’s 20-plus parks.

In a letter to NYC Mayor Eric Adams, Brookhaven Town Supervisor Edward Romaine detailed how important some of the historical figures are to the community, including how Washington had toured the town and founding father William Floyd had called it home.

“The Brookhaven Town Board knows the importance of our history in bringing us to the place we are today,” the letter states. “If we look through our eyes today and try to judge them for what they did years ago as some people may do they come away with a different view. I look at their contribution to history overall, I look at what they’ve done.”

When deciding whom to commemorate, either by statues, monuments, holidays, currency, stamps, or names of towns, schools, and streets, we choose individuals who have made exceptional contributions to society. In so doing, we sometimes prefer to look at the greater good that has been done and permit it to outweigh the human failings.

If you are puzzled as to why someone would demonize Washington, the Father of the Country, or Jefferson, the principal author of the Declaration of Independence, you are not alone.

The reason may be rooted in a lack of appreciation for and understanding of the destiny-altering period in our nation’s birth, the Revolutionary War.

One of the finest films ever made dealing with this historical period is “The Patriot.”

Roland Emmerich directed the epic movie, which stars Mel Gibson, Chris Cooper, Heath Ledger, and Jason Isaacs.

Although fictional in nature, the film’s story is based on the reality of Revolutionary War times, a period during which our nation was coming into being. It tells the story of Benjamin Martin (portrayed by Gibson), a widowed farmer who is reluctantly drawn into the war.

Martin is a veteran of the French and Indian War. He has sworn off violence but is forced to take up arms once again when his son is murdered by Colonel Tavington (portrayed by Isaacs), who is a particularly cruel British officer.

Martin’s farm is burned down by the British, and he and his remaining children are forced to flee. He joins a militia group and begins to fight back. He instructs his men on how to use guerrilla tactics to defeat the British and soon becomes a legendary figure among the colonists.

Director Emmerich, who is of European descent, understands the importance of America’s birth. He summed up his attraction to the project on the film’s DVD, stating, “These were characters I could relate to, and they were engaged in a conflict that had a significant outcome, the creation of the first modern democratic government.”

“The Patriot” is a tale of loyalty, sacrifice, and the unquenchable thirst to live free.

These are the intangibles that we honor when we erect statues of historical figures who left an indelible mark to the benefit of all of their progeny.

And that progeny includes you and me.

Filmgoers Ignore Detractors and Flock to ‘Sound of Freedom’

Despite Hollywood executives trying to shelve it and mainstream media outlets trying to discredit it, the recently released film “Sound of Freedom” has upended the entertainment industry with resounding ticket sales, an enviable profit margin, and superb audience ratings.

The Washington Post, the Rolling Stone, the UK Guardian and other media organizations have denigrated the movie, falsely attempting to tie it to conspiracy theorists.

People are simply ignoring media naysayers, packing the theaters, and showering the film with standing ovations, resulting in more than $40 million in box-office revenue over a six-day period, according to industry estimates.

Due to its summer release, the movie had been facing plenty of competition, which was coming from big-budget studio blockbusters intended to please popcorn loving crowds.

“Sound of Freedom” definitely doesn’t conform to the template of a conventional summer release.

The plot of the movie is based on the true story of Tim Ballard, who founded a group to combat child sex trafficking.

Jim Caviezel, star of Mel Gibson’s 2004 cinematic masterpiece “The Passion of the Christ,” takes on the role of Ballard, a former government agent who stares down danger as he travels to godforsaken places on a quest to rescue enslaved children who have become victims of unspeakably horrifying crimes.

Summer studio releases typically have budgets that consist of hundreds of millions of dollars. However, with a tab of $14.5 million “Sound of Freedom”’s production costs were considerably less.

On the Fourth of July, “Sound of Freedom” easily passed up the franchise studio sequel “Indiana Jones and the Dial of Destiny.” The film had a release-day revenue of $14 million as compared to the $11.5 million that the “Indiana Jones” movie took in on its June 30 opening.

“Indiana Jones and the Dial of Destiny” had a budget of more than $250 million, while “Sound of Freedom” cost less than $15 million.

“Sound of Freedom” hit a very solid third place for the weekend with more than $18 million.

The public loves the film, giving it the highest CinemaScore rating possible, an A+. And movie fans who weighed-in on the Rotten Tomatoes website gave it a 100% rating.

In order to get more people to pay attention to the violations of human dignity with which the film deals, Dana White, President of the Ultimate Fighting Championship (the global mixed martial arts organization) posted a video on social media.

White spoke out on the importance of “Sound of Freedom” and the chilling nightmare of human trafficking. He was joined by legendary actor and director Gibson, who urged people to see the movie.

The White and Gibson video footage has gone viral, providing some powerful promotion for the movie.

During the video, White said, “There is a new movie out there called ‘Sound of Freedom’ and it’s about human trafficking. More importantly, about the trafficking of children. This is a disgusting, horrific issue that’s happening all around the world. And it’s not getting better, it’s getting worse.”

The UFC CEO is utilizing his own company in an effort to get the word out.

“What I’m gonna do is I’m gonna give any of my UFC employees that want to see this movie free tickets to go and see,” White said.

He even urged other business leaders to take his idea and run with it.

“I would like to encourage other executives to do the same at their company,” he said.

In the section of footage in which he appears, Gibson focused on the public becoming more knowledgeable on the issue.

“One of the most disturbing problems in the world today is human trafficking,” Gibson said.

“Particularly the trafficking of children. Now the first step in eradicating this crime is awareness. Go see ‘Sound of Freedom,’” he encouraged.

In a unique approach to ticket sales, at the end of the movie while the credits roll on, Caviezel appears onscreen to ask the audience to go to the Angel Studios website and participate in the “Pay It Forward” program.

This program allows people to purchase tickets for others so that those who cannot afford the cost will be able to obtain a ticket for free.

Those who suffer from the scourge of human trafficking are crying out to be rescued.

May “Sound of Freedom” succeed in its mission of informing people and prompting action.

And may all of us be responsive to those who wait in the shadows for someone to care.

‘Sound of Freedom’ Is the Whisper of Hope

Some things are so horrible they are difficult to even mention. Sex trafficking of children is one such unspeakable issue.

However, a recent movie not only dares to breach the subject, it brings a ray a hope to the darkest of places.

People of conscience uniformly agree that the abduction of little ones for the purposes of sexual exploitation is an abomination. It is the slavery of the modern day.

Traffickers seek out the vulnerable, those unfortunate youth who frequently live in poverty or war-torn regions of the world.

Victims such as these are being illegally sold, adopted out, married off, pushed into prostitution, and/or forced to work under myriad of insufferable and degrading conditions.

A newly released film titled “Sound of Freedom” is taking this unmentionable issue head-on.

The movie is directed and co-written by Alejandro Monteverde, produced by Eduardo Verastegui who also appears in the film, and stars Jim Caviezel, well known as the lead actor in Mel Gibson’s “The Passion of the Christ” film, and Mira Sorvino, the Oscar winning actress in Woody Allen’s “Mighty Aphrodite” film.

Caviezel portrays hero Tim Ballard, who left his previous real-life position as an agent with Homeland Security Investigations to pursue a mission of rescuing children from human sex traffickers.

Ballard personally requested that he be portrayed in the film by Caviezel, having observed the actor’s work in the 2002 film “The Count of Monte Cristo.”

The movie tells the true story of Ballard’s dangerous journey abroad to rescue the sister of a boy he had previously saved from traffickers.

The film’s opener contains some compelling scenes that demonstrate one of the diabolical ways in which traffickers abduct children.

A welder who is living in Honduras encounters an elegant woman who claims to be the founder of a talent agency. After seeing the welder’s 11-year-old daughter singing at the marketplace, the woman suggests that she tryout for a potential job in the entertainment business.

The father subsequently drops both his daughter and son off at the tryouts, which are being held at a poorly maintained hotel and are attended by other children as well.

When the father returns to pick up his children, to his shock he finds that the room is empty and his daughter and son are missing.

It turns out that the woman was no recruiter for the entertainment business but instead was a front for the fast-growing criminal enterprise of child sex trafficking.

Ballard is able to engineer a daring rescue of the welder’s son. However, his sister continues to be held captive. So Ballard heads to Colombia to try and rescue the young girl from the clutches of evil.

The backstory of the “Sound of Freedom”’s release is a tale of providential determination. After the project’s original filming and completion in 2018, it takes a detour that almost completely derails it.

21st Century Fox had contracted to distribute the movie, but before it can be scheduled for release the studio is acquired by Disney.

For some reason Disney executives choose to shelve the film. It takes years for the filmmakers to re-acquire the distribution rights.

In March of 2023, Angel Studios (the faith-based entertainment company which through crowdfunding has produced “The Chosen,” “Dry Bar Comedy,” and “The Wingfeather Saga”) was able to obtain the distribution rights for “Sound of Freedom” from Disney.

Angel Studios used its equity crowdfunding expertise to raise the cash needed to market the movie.

The studio also utilized an innovative program that encouraged patrons to “pay it forward,” so that people who might not otherwise see the movie would be able to watch it in theaters for free.

Goya Foods, an executive producer of the film, also provided financial support for the movie via Goya Cares, an anti-trafficking foundation established by the company.

The marketing efforts for the film really appear to be paying off and have resulted in more than $7 million in pre-sale revenue.

During one of the many dramatic scenes in the film, Ballard alludes to a passage from the Gospel of Luke.

“It would be better for you if a millstone were hung around your neck and you were thrown into the sea than you should ever hurt one of these little ones,” Ballard says.

In the Bible, Jesus himself instructs us about the inherent value of each and every child.

When in the film Ballard is asked why he has taken up this arduous mission, he replies, “Because God’s children are not for sale.”

So strong is his commitment to his mission, during the filming of the movie Ballard reportedly left the Columbian set so that he could join his team of former Navy SEALs to participate in the rescue of more than 200 children.

For me personally, another passage from the Bible comes to mind. It is that of the Good Shepherd.

The shepherd has 100 sheep in his flock. But if one single sheep goes missing, he leaves the 99 in search of the one.

At least in prayer, may people of conscience continue to strive to be like the Good Shepherd.

And may God in his goodness send more Tim Ballards to rescue the one in need.

Mark Wahlberg Teams up with Mel Gibson for Faith-based Film ‘Stu’

Mark Wahlberg and Mel Gibson are starring in an upcoming faith-based movie titled “Stu,” a biopic on the life of a man who was a boxer, actor, museum manager, and ultimately an ordained Catholic priest.

The main character in the film, Father Stuart Long, was affectionately known as “Father Stu,” hence the movie title.

Wahlberg began working on the project two years following the passing of Father Stu in 2014. The upcoming feature was financed in part by Wahlberg himself and is currently in post production.

Wahlberg plays the lead role, and Gibson plays the part of Father Stu’s dad, Bill Long.

It makes all the sense in the world for Wahlberg to pursue a faith-oriented project. He once told Parade Magazine that faith was “the most important part” of his life.

In reference to this faith, he stated, “I don’t try to push it on anybody and I don’t try to hide it.”

Father Stu’s real life story is an awe-inspiring one.

Although he himself was not Catholic, but rather an agnostic, he nevertheless attended a Catholic institution called Carroll College.

At one point he took up the sport of boxing and was adept enough at it to win the Montana Golden Gloves championship. However, as a result of a jaw injury that he suffered, he was forced to abandon the sport.

He ended up moving to Los Angeles to pursue an acting career and was able to secure work as a movie extra and also did some advertisement spots.

It wasn’t long before he became disenchanted with the entertainment industry and decided to change direction. He began working at the Norton Simon Museum in Pasadena, where he eventually rose to managerial level.

His chosen mode of transportation to and from work happened to be a motorcycle. One day while traveling home he collided with a car and was thrown headfirst into another vehicle in an adjacent lane.

It was there at the hospital that he would have a deeply profound religious experience, which would alter the course of his life forever.

Although at one point in life he had fallen in love with a Catholic Christian woman, as so frequently happens things would turn out quite differently than expected.

Once baptized in the Catholic faith, he began to feel a strong spiritual pull that would ultimately lead him to a priestly vocation. He took the necessary steps to pursue this calling.

While studying at Mount Angel Seminary in Oregon, he was forced to undergo surgery to remove a tumor in his hip region. It was determined that he had a rare autoimmune disease called “inclusion body myositis,” which is an inflammatory degenerative muscle condition that causes weakening of the body’s musculature, similar to ALS.

Sadly, there is no effective course of treatment for the disease. By the time of his ordination in December 2007, due to the severity of his symptoms, he was already reliant on crutches to assist him in walking.

The cross he was carrying would become the blessing that would end up enhancing his pastoral capabilities.

As a cleric, Father Stu was simply remarkable.

He served as a priest for six short years, but the impression left on all those who were fortunate enough to be shepherded by him would be an indelible one.

Bishop George Thomas, now at the Diocese of Las Vegas, Nevada, was the bishop of Helena, Montana at the time, where Father Stu was serving as a priest.

Bishop Thomas recalls that Father Stu’s liturgy services were “deeply moving.”

The bishop describes the progression of the disease as well as the toll it took on Father Stu’s health and ability to perform his priestly duties.

He shares the story of a Mass for the students at Carroll College at which Father Stu presided, where the good father “was so weak at this stage that as he reads the Words of Institution [or Consecration] during the Mass, one of the students would take his hand and help lift up the Host.”

While in a rehabilitation facility, Father Stu took it upon himself to become a sort of in-house pastor. People would line up outside his room, waiting for the opportunity to seek his counsel or to receive the sacrament of absolution.

Participating in what would be the last Easter Vigil of his life, his condition was so weakened that attendance was only possible via a gurney. But there was no way he was going to miss the high holy day.

It turns out that Father Stu had another reason for being there, though – his most fervent prayers were about to be answered.

With tears running down his face, he watched as his own mother and father were baptized into his beloved faith.

Six years ago Wahlberg contacted Bishop Thomas to learn about Father Stu’s life and obtain the bishop’s approval for the project.

Bishop Thomas recounts the moment.

The actor’s words were short and sweet: “The Church has been through so much; I would like to do something beautiful for the Church.”