The Long-term Consequences of Moral Relativism

Moral relativism is a philosophical construct in which there are no objective moral truths. There are only subjective truths that are shaped by a society’s hierarchy of authority, cultural norms, and myriad feelings on the part of its individual members.

In this article, I will attempt to give readers some background knowledge about:

– Moral relativism;

– The manner in which the construct has in a major way supplanted our nation’s long-standing moral framework;

– And the danger that moral relativism continues to pose for our society should we fail to reverse course.

In the United States, the concept of moral relativism first emerged within our universities. Then slowly but steadily it seeped into our governmental structure and our culture at large.

Its origin can be traced to the works of anthropologist Franz Boas and his students at Columbia University. Boas set out to destroy the concept of ranked cultures, i.e., that some cultures can be assigned higher or lower rankings than those of others.

Boaz and company insisted that each culture must be evaluated on its own terms and is never to be judged by external standards.

This cultural relativism quickly metamorphosed into moral relativism, meaning that no culture’s moral system should ever be assigned a higher or lower ranking than that of another.

In the 1930s and 1940s, Boaz’s students (which included cultural anthropologists Margaret Mead and Ruth Benedict) turned moral relativism into a popular doctrine. By the 1960s, the construct had handily made its way into the popular culture.

The relativistic views of Mead and Benedict were routinely cited as a means in which to argue that the acceptable standards of the times were, in actuality, just one cultural option among many.

By the 1970s, largely due to the implementation of multicultural education, the idea was put forth that diverse cultures have diverse moral frameworks, and imposing one group’s values on another is, in essence, a form of oppression.

So here is where we find ourselves today.

What started out as an obscure academic theory is currently the predominant operating ideology of many who hold the reins of power in our country.

Moral relativism was pushed upon our society, and it slowly and insidiously demolished a major portion of our shared moral framework.

It promises liberation but delivers anarchy.

It tells each and every individual that it is perfectly acceptable to make up your own personal rules.

It obliterates the lines between right and wrong, allowing for extremism to be justified and enabling those who wish to harm others to rationalize their unthinkable actions.

Is it any wonder that after decades of moral relativism imperatives, our society is no longer able to agree on the basic definitions of right and wrong?

For many of us it is painfully apparent that we are now living through the wretched fallout of relativistic thinking as it pertains to society’s moral code.

As we have seen, moral relativism all too frequently leads to deadly consequences.

Through tear-stained eyes we saw waves of unspeakable violence crash from shore to shore. And even as we watched we knew in our hearts the tempest was in no way over.

When a society accepts the idea that “truth” is whatever feels authentic, objective standards cease to exist. If everything is permissible, nothing is protected.

Without a common moral foundation, there is no debate over the best means to shared ends. There is only a raw power struggle in which violence is acceptable and might makes right.

Western civilization was built on the conviction that certain truths are self-evident; that human beings are created equal in dignity, not outcome; that rights come from God rather than government’s whim; and that marriage and family are society’s cornerstones.

Many have abandoned these shared principles in favor of the shifting sands of “my own truth.” But a society that cannot agree on what is virtue and vice is one that is hurtling toward collapse.

What’s the antidote to moral relativism? Well, for starters, cooler heads, clearer thinking, and caring attitudes.

If our nation is ever to regain its moral footing, it is essential that our society return to the values that carried us through for centuries.

But here’s the catch. In order for this to occur, our people have to really want it.

The question is, Do enough of us?

The answer determines our destiny.

The Treasure Chest of Values in the TV of Old

“Frasier” and “Monk,” two popular TV shows of the past, have recently been brought back to life.

The original “Frasier” series ran from 1993 to 2004, earning 37 Emmys in its run.

In October of 2023, a “Frasier” reboot made its debut on Paramount+, featuring the same character as seen in the original, i.e., the one and only Frasier Crane, who this time is dealing with life while in his sixties.

The producers were able to snag much of the original cast, with six-time Emmy winner Kelsey Grammer in the title role, along with Jane Leeves playing Daphne Moon, Peri Gilpin portraying Roz Doyle, David Hyde Pierce reprising Niles Crane, and Bebe Neuwirth as Lilith Sternin.

The reboot has been met with great success. The first two episodes of the show were the most-watched original series premiere on Paramount+, and as a result the new “Frasier” has been renewed for a second season.

Meanwhile Emmy winner Tony Shalhoub can soon be seen in a new upcoming feature film, “Mr. Monk’s Last Case: A Monk Movie,” which premieres December 8 on Peacock.

Shalhoub portrays Adrian Monk, the same loveable neurotic savant detective character that he played in the original TV series. The show ran for eight great seasons on the USA Network.

In addition to Shalhoub, “Mr. Monk’s Last Case” includes many of the actors that appeared in the original series, including Traylor Howard playing Natalie Teeger, Ted Levine as Leland Stottlemeyer, and Jason Gray-Stanford as Randy Disher.

Peacock’s movie reboot comes almost fourteen years after the final episode of the original “Monk” series aired, which in its run took home eight Emmys, including three for Shalhoub for Outstanding Lead Actor in a Comedy Series.

Reboots are part of a current Hollywood trend of reaching back in time to find material to produce.

A few examples include a sequel to the original Full House called “Fuller House,” a revival of the original series “Gilmore Girls” titled “Gilmore Girls: A Year in the Life,” a reboot of the original “Roseanne” with the same title, and a spin-off of the original “Roseanne” called “The Connors.”

Television shows of bygone eras actually comprise a significant portion of today’s entertainment programming, and the public’s interest itself seems to be on the rise.

Networks such as MeTV, Antenna TV, Cozi TV, Uptv, Encore Classic, Encore Black, and TV Land are dedicated to serving up classic fare to their respective audiences.

Nick at Nite, TBS, TNT, AMC, and the Hallmark Channel have reserved spots in their lineups for TV shows of old as well.

And not to be left out, services such as Netflix, Hulu, and Amazon Prime are also streaming the classics.

Why would there be such a demand to see shows that were produced decades ago?

Here’s my theory.

These are tough times we are living through in many ways. The changes we have experienced have occurred more rapidly than we could even process.

It is a truism that a common set of values is what holds a society together. The unspoken bond.

What were some of the values that in the past we collectively held as ideals? Ones to which we agreed that we would all strive to uphold?

Honesty, fairness, kindness, loyalty, perseverance, courage, and respect to name a few.

Something happened to that vessel of shared values. Cracks appeared.

Some values eroded. Some were supplanted. And some were merely lost in the fog of the culture war.

Classic TV at its finest had our common set of values embedded within its story lines, and within the minds and hearts of the characters that were living out the comedies and dramas.

While these television shows may have been set in a bygone era, the values contained within them are timeless.

Here’s to the people who cling to their favorite shows and to the values that are worth their weight in gold.