Democrats Lose Their Humanity

Human beings generally have a characteristic response when made aware that a fellow human being, be it a loved one, friend, or stranger, has succumbed to a serious illness or has received an ominous medical diagnosis.

Responses tend to reflect a deep-seated empathy and understanding that are innate in people who maintain a well-balanced psychological, emotional, and spiritual equilibrium. If direct or indirect interaction occurs with a suffering person, encouragement and well-wishes typically flow.

On the other hand, if individuals seem to be indifferent to another’s suffering, in common parlance they are likely to be described as cold, heartless, and/or lacking in compassion. Response to news of another’s misfortunes on the part of these individuals is quite the opposite and may generally fall within the category of psychological dysfunction.

In my assessment, this second description is a wholly appropriate way to characterize the insensitive, uncompassionate, and outright cruel remarks that have been made by several Democrats and their allies in the news media and Hollywood regarding President Donald Trump’s positive COVID-19 test and his subsequent illness.

To put it bluntly, a lack of basic human decency has been on display by many on the left. Since the news first hit that President Trump and First Lady Melania Trump had tested positive for COVID-19 and the president was hospitalized, numerous Democrats and their media mouthpieces actually expressed wishes that the president would depart this life.

“It’s been against my moral identity to tweet this for the past four years, but, I hope he dies,” tweeted Zara Rahim, a former national spokesperson for Hillary Clinton’s 2016 presidential campaign and a staffer in the White House of then-President Barack Obama.

Rahim subsequently ended up deleting the message.

Steve Cox, an Independent congressional candidate running in California’s 39th District, expressed his hope that President Trump and Democratic presidential nominee Joe Biden would both die.

The content of statements made by many of President Trump’s political opponents was so heinous Twitter had to issue a warning that the platform would take action against users for tweets that were rooting for the president’s demise. Facebook and other social media platforms followed suit.

Twitter’s announcement was met with immediate criticism from two Democratic congresswomen who are part of a congressional cluster known as “The Squad.”

Rep. Alexandria Ocasio-Cortez, D-N.Y., complained that this policy had not been applied to herself and her colleagues, tweeting the following: “you mean to tell us you could’ve done this the whole time?”

Rep. Rashida Tlaib, D-Mich., tweeted, “This is messed up. The death threats towards us should have been taking more seriously by [Twitter].”

Twitter vowed to rectify matters.

“We hear the voices who feel that we’re enforcing some policies inconsistently,” Twitter stated in a post. “We agree we must do better, and we are working together inside to do so.”

Meanwhile other Trump-haters went about claiming that the president’s diagnosis was not real.

In a Facebook post, documentary film-maker Michael Moore opined that the president could be lying about having coronavirus as an opportunity “TO PUSH FOR DELAYING/POSTPONING THE ELECTION.”

Moore also used his Twitter account to snidely state, “My thoughts and prayers, too, are with Covid-19.”

At the top of his opening monologue on “Saturday Night Live,” comedian Chris Rock said something similar to Moore.

“President Trump’s in the hospital from COVID, and I just want to say my heart goes out to COVID,” Rock said.

Joy Reid of MSNBC suggested that the president was pretending to be infected so he would be able to “get out of the debates.”

“Here’s how wrecked Trump’s credibility is at this point: I’ve got a cellphone full of texts from people who aren’t sure whether to believe Trump actually has covid,” Reid tweeted.

Other questionable posts by Bette Midler, Patricia Arquette, Kathy Griffin, Rob Reiner, and Michael Rappaport made their way to the social media.

To their credit, Rachel Maddow, Alyssa Milano, Jamie Lee Curtis, and the Biden campaign responded appropriately.

Not so with other high-profile individuals, including a couple of top Democrat political leaders.

House Speaker Nancy Pelosi, D-Calif., hit a new low. She actually blamed the president for getting sick and then tried to soften her comments by tacking on her usual disclaimer: “I’m praying for him.”

And Senate Minority Leader Chuck Schumer, D-N.Y., carped in a statement that President Trump’s diagnosis is what happens “when you ignore science.”

It is difficult to find words to describe or ways to explain the all-consuming hatred that the left continues to spew out against the president. The 90 percent-plus derogatory coverage he has received from the lopsided media is no doubt a factor.

Human beings are capable of being programmed to hate.

The Democratic Party has spent every day for the past five years devising schemes, first to undermine his candidacy and then to undermine his presidency.

Human beings are capable of being programmed to be distrustful.

The complicit media have name-called, derided, maligned, and outright lied about the president’s person and policies.

Human beings are capable of being programmed to be cynical.

There is a domino effect that can occur when negative emotions are continuously teed up and then given a solid nudge. Discontent can tip into arrogance, arrogance into anger, and anger into vengefulness.

This is the way humanity is lost.

The question is whether Democrats even care.

Actor Antonio Sabato Jr. Launches a Conservative Movie Studio

Antonio Sabato Jr. came to America from Italy when he was just a young boy. He didn’t speak the language of the new country that he now called home, but he was determined to learn.

In a foreshadowing of sorts, Sabato would teach himself to speak America’s dominant language the Hollywood way. He would become fluent in English by watching movies. Later he would break into the world of modeling and move on to working as an actor in television and film.

Most people are aware that the political pendulum in Hollywood has gone through quite a dramatic swing over the years. What began as a top down system, with studio bosses in control, slowly transformed into a quasi bottom up system, which was heavily influenced by agents, lawyers, and enormously overpaid talent.

As I documented in my books and writings over the past couple of decades, when it comes to diversity of political thought, there has been very little permission granted to folks who are working in the entertainment industry to be anything but liberal. Still, nothing could have prepared Tinseltown conservatives for what was about to happen.

In 2016 Donald J. Trump won the presidency. He took his place in the Oval Office, and it seems as though for Hollywood leftists everywhere, in one fell swoop the gates of Hades blew wide open.

After a few initial days of shell-shock and tears over the election results, Hollywood residents snapped into action. Arm and arm with the Democratic Party, celebrity leftists signed on to the coup, swarmed the media, and worked harder than they ever had to get rid of the president.

Pre-2016 the hatred in Hollywood against those who held contrary political positions was at a steady simmer. Post-2016 it would flat-out boil over, blistering every facet of the business. Direct aim would be taken against any individual who would dare to express even the slightest bit of openness to an opposing viewpoint.

The McCarthy Era would have nothing on the New Hollywood Trump Era. One after another Hollywood conservatives in Tinseltown would be shown the door.

Enter stage right. Sabato’s political views were routinely unacceptable in Hollywood, but now they would be deadly to his career. Except for the fact that he’s a Hollywood conservative who was in no way going to take it lying down.

He came to the conclusion that conservative creatives needed an alternative place to make the kind of movies and other entertainment product that are now banned by uber-woke Hollywood.

In a recent post on his Twitter account, Sabato revealed his plans for an alternative entertainment company.

“We are putting together a plan to create a conservative movie studio for all patriots to do projects that Hollywood would never do,” Sabato wrote. “No more blacklisting and no more injustice from the socialist elites.”

A follow-up tweet indicated that Sabato’s studio offered an oasis for conservative filmmakers to join in with the studio’s new film and mission.

“To all conservative producers who want to make a change this is the time, get in touch with me, and be part of our team,” the post read. “Right now we are in pre-production with Trail Blazers [Sabato’s upcoming film project] our first in line for many more & first to start our studio.”

IMDB describes “Trail Blazers” as a Western drama and indicates an expected release next year.

The film stars fellow conservatives Kristy Swanson and Stacey Dash, along with legendary film icon Robert Wagner. The cast of “Trail Blazers” also has a host of familiar right-of-center actors in Hollywood, including Kevin Sorbo, Scott Baio, Dean Cain, and Lorenzo Lamas.

Sabato is directing the film, which he co-wrote with actress and producer Deborah Twiss, and he will act in the project as well.

It is no longer a secret that Hollywood has no tolerance for anyone who doesn’t capitulate to the “woke” litany of approved beliefs. Artists trying to make it in the rough and tumble business of entertainment have known that they have to stay in what legendary actor Charlton Heston referred to as the “conservative closet.”

Sabato declared his support for President Trump at the 2016 Republican National Convention, and since then his career suffered. He recently shared via media interviews what happened to him after his name was firmly engraved on Hollywood’s new blacklist.

“I was the first celebrity to come out and talk about the president, and he had my vote from day one,” he told Variety. “I had to sell everything, I had to pay all my debts, I was blacklisted. All my representatives left me, from agents to managers to commercial agents. I literally had to move, find a new job to survive and take care of my kids.”

During a recent appearance on Fox Business, Sabato explained to host Maria Bartiromo that your future is in jeopardy if Hollywood has disdain for your political point of view or your religious belief system.

“I’ve never seen anything like this before,” he told Bartiromo. “I never expected to see it here in Hollywood where you have this liberal world dictating the future of everybody in the business who disagrees with them politically.” He explained that it can be seriously problematic if you bring up God or express your faith by wearing a cross.

He also indicated that there are other Trump supporters in the entertainment industry who are too afraid to reveal their political views for fear they will lose opportunities to work in the highly competitive industry.

Sabato is not completely alone in speaking out about the treatment of conservatives in Hollywood. Tim Allen and James Woods have let it be known their careers were hurt by having the “wrong” political beliefs in Hollywood. And Tinseltown’s bias turned super extreme when comedic actress Roseanne Barr received particularly harsh treatment over a single tweet. She lost her ABC show and her career in part because she was known to be a Trump supporter.

“The amount of people being blacklisted in Hollywood is astounding. I have never received so much support and so much love and also wanting to be a part of my new venture with our new studio. Incredible times and we will do it together!” Sabato recently posted.

Everyone knows you can’t keep a good conservative down. Something tells me a grateful public is in Sabato’s corner.

Say a Prayer for Hollywood

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Hollywood is in deep trouble.

Years ago people used to say to me that it really didn’t matter what folks in Hollywood said or did. No one says that to me anymore.

Those of us who are old enough to have witnessed and who fully understand the pivotal role that Hollywood plays in American culture know all too well that Hollywood has completely lost its way.

Over the past few decades there has been an intellectual, social, and moral slide in which Hollywood has actively engaged. The result has been more corrosive on our society than anyone could ever have imagined.

The good news is that we have reached the tipping point, and it has arrived in the form of a movie. The film is called “Habit,” and it is a sinister work that attacks the God of our founding, the Lord of our ancestors, and the Holy One of the ages.

In this blasphemous production, God is a woman.

This alone is enough to offend many people of faith. But the religious-minded among us have found ourselves in this position many times in the past, times in which we merely suffered the affront, chalked it up to free expression and artistic license, and politely rose above it.

In this heinous production, God is not only a woman, but a promiscuous one.

In the tradition of many religious people, promiscuity is a failing, albeit a common one not unlike myriad other stumbles, but nevertheless a serious failing on the part of the individual. Needless to say, when people of faith stumble, they seek forgiveness from The Author of Perfection who always was, is, and will be unblemished.

In this distorted production, God is a female who is attracted to multiple other women.

For people who adhere to the scriptural content of the Old Testament as well as those who embrace both the Old and the New, The Divine Designer created man and woman, and sexual attraction is specifically an innate desire that rests within earthly beings.

In this sacrilegious production, God is a drug dealer.

Here again, believers hold fast to the truth that the God of Our Fathers is sinless. To imply otherwise takes His Holy Name in vain and is a grave offense against Him and against those who worship and adore Him.

And so it is that everyone who is still watching what Hollywood is providing as entertainment for us, in all of its various forms, gets to pick a side.

“Habit” stands as a virtual line in the sand. We are either for its release or against it. We are either willing to tell any company that would facilitate the circulation of this egregious product that we will no longer consume any of its entertainment fare or we fold and give them yet another pass. And we either stand for God or turn our backs.

God’s nature and His identity as God-made-flesh are central tenets of the deeply held beliefs of more than two billion religious people around the globe. Hopefully in this tipping point, God’s side of the scale will be the one that prevails.

Several organizations are now seeking the film’s cancellation. Ted Baehr, founder of Movieguide and the Christian Film & Television Commission (CFTC), recently told The Christian Post that “Habit” crosses a line “that should not be crossed.” The Movieguide site is promoting a petition by the CFTC on CitizenGo.org, which as of this writing has more than 210,000 signatures from people who hope to stop this movie in its ugly tracks.

Another petition, which was started by OneMillionMoms.com, a division of the American Family Association, has been signed by almost 70,000 people.

“Habit” does not yet have a release date or distribution deal. However, with the entertainment industry’s track record, it is likely that those who have invested substantial sums of money in the production of the film will move forward in some fashion with its release.

We need to say a prayer for Hollywood and for our culture.

In the meantime, we need to keep a watchful eye on Netflix, Amazon, YouTube, and other platforms. In this digital era, films go straight to home theaters.

That’s where God’s side has to be willing to be a cancel culture all its own.

Ted Cruz’s Legislation Could Halt China’s Censoring of Hollywood

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Texas Senator Ted Cruz may really be on to something big.

Sen. Cruz plans to introduce legislation soon, which will address a critically important issue involving the rights of Americans, as well as folks in other nations, to enjoy entertainment product that is free from Chinese communist censorship.

The former 2016 GOP presidential candidate has, in accordance with modern congressional practice, affixed a clever acronym to his new bill, SCRIPT, which stands for the “Stopping Censorship, Restoring Integrity, Protecting Talkies” Act.

The legislation seeks to deter a current practice of Hollywood studios in which, prior to release, they submit movies to Chinese censors. The proposed law would cut off any assistance given by the Department of Defense to those film studios that allow the communist regime to alter cinematic content.

With regard to many a film and television production project, Hollywood has often requested help from the Pentagon. It has been this way for years. In each branch of the military, there is actually a liaison office that aids filmmakers with consultation, personnel, equipment, and access to military installations.

“For too long, Hollywood has been complicit in China’s censorship. The SCRIPT Act will serve as a wake-up call by forcing Hollywood studios to choose between the assistance they need from the American government and the dollars they want from China,” Sen. Cruz recently said in a statement.

The truth is Hollywood is in need of a wake-up call. China was set to surpass the U.S. box office of 2020 just before the coronavirus shutdown occurred.

Hollywood executives are well aware of the fact that the Chinese regime limits the number of foreign films that can be released annually in its country. Additionally, many Chinese companies provide considerable amounts of capital for Hollywood productions.

The Chinese regime is preoccupied with projecting a false image in order for it to continue to maintain its power. As a result it has frequently injected itself into creative aspects of American entertainment production and oftentimes altered content to fit its own agenda.

Back in 1997, Martin Scorsese’s film “Kundun” was banned, because it appeared to be sympathetic to the Dalai Lama. Scorsese and other members of the production team were literally banned by the Chinese regime from ever entering the country again.

China also took the dramatic step of banning Disney films and television shows. Disney actually apologized in 1998 for releasing “Kundun.” Eventually, though, the company was able to make a deal in 2016 to open Shanghai Disneyland.

In 2006, creators of “Mission Impossible III” were required to remove part of the film’s opening sequence in which underwear hanging on a clothesline made its “undesirable” appearance in a Tom Cruise chase scene in Shanghai.

The following year, creators of “Pirates of the Caribbean: At World’s End,” were evidently persuaded to edit out footage of the character Chow Yun-fat, because it offended the Chinese powers that be.

In a 2012 reboot of “Red Dawn,” the original plot featured an invasion of the United States by China. The storyline was dutifully altered to depict the invading enemy as being from North Korea. Since the initial filming had already been completed, this feat was accomplished via re-shoots and digital alteration. It would be to no avail though, because the movie still ended up in the position of being unable to obtain a China release.

The James Bond 2013 installment, “Skyfall,” was released only after scenes that included Chinese police using torture tactics and prostitution occurring in Macau were edited out.

That same year the Brad Pitt film “World War Z” was banned by the regime in Beijing, because the plot of the film had the origin of the zombie outbreak kick off in China. Interestingly, Chinese officials also had a grudge against Pitt for his audaciousness in having starred in the movie “Seven Years in Tibet.”

As a condition of the China release of “Bohemian Rhapsody,” creators of the 2018 Queen biopic had to redact any references to lead singer Freddie Mercury’s sexual identity and the cause of his passing. The Chinese censors even removed part of star Rami Malek’s Oscar acceptance speech from the streaming Academy Award ceremony.

During the same year, Disney’s “Christopher Robin” was banned by Chinese censors, because activists had noted on the internet President Xi Jinping’s resemblance to Winnie the Pooh.

In the movie trailer of the yet to be released “Top Gun: Maverick,” missing from Tom Cruise’s iconic leather jacket are the Japanese and Taiwanese flag patches, which appeared on Maverick’s original coat. The patches have been replaced by two non-descript, similarly colored symbols.

Sen. Cruz’s SCRIPT Act would be a great first step in trying to address China’s egregious pattern of modifying U.S. entertainment product.

Now if only Hollywood could lend its support to the cause embodied in the legislation — that even in the entertainment industry, artistry and its dual pursuits of truth and self-determination, still reign supreme over profit.

The Agenda-laden Reboot of ‘Party of Five’

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That Hollywood would be walking hand-in-hand with the Democratic Party in an effort to shape the mindset of the culture-at-large is nothing new.

However, the idea that entertainment products would have morphed into super-sized mallets that would then be used to hammer left-wing agendas into folks’ heads is.

The routine insertion into entertainment content by Hollywood of “woke” themes and characters is clearly illustrated in a highly altered supposed reboot of a previous 1990’s television show, “Party of Five.”

The original “Party of Five” ran from 1994 to 2000 and starred Neve Campbell, Scott Wolf, Matthew Fox, and Lacey Chabert. The series dealt with the Salinger family’s five children, who were forced to fend for themselves after their parents were killed in an accident by a drunk driver.

Hollywood’s updated version, which airs on the Disney-owned cable network Freeform, has none of the original characters and is missing a majority of the themes that were present in the initial “Party of Five.”

The redesigned show features a Mexican family in which sibling children are forced into orphan-hood when their mom and dad are deported.

In reality, the series is not actually a reboot but rather a radical re-imagining that utilizes one of the favorite memes of the left.

The original show’s setting was San Francisco, and it had a run of six seasons. It aired on Fox and helped to launch the careers of its cast, including one particular co-star, Jennifer Love Hewitt.

Despite its having been on the air more than two decades ago, the original show features themes that to this day continue to resonate with viewers.

Even though the series was categorized as one designed to attract teens, the issues with which the Salinger family had to deal included a character’s battle with cancer, another character’s battle with alcoholism, a young woman who was a victim of domestic violence, and naturally the show’s primary focus of the children being minus parental figures.

Because the series had relatively low ratings in its first and second seasons, the speculation at the time was that it might not be renewed. However, after it won the 1996 Golden Globe Award for Best Television Series in the drama category, its ratings and popularity grew for most of the remainder of the show.

Original creators Chris Keyser and Amy Lippman are spearheading the storytelling in the revised version, although the two showrunners have seen fit to abandon the original characters and plot line.

Lippman told The Associated Press that she and Keyser had turned down previous offers to bring the show back over concerns that they did not want to incorporate the same story line with new actors. But Lippman also indicated that the pair had changed their minds after reading front-page stories about children being separated from their parents.

“We have told this story before but it was imaginary,” Lippman said. “Now it’s actually a story that is playing out all over the country.”

“In the previous show, we didn’t need to be specific to a culture or a political climate,” Lippman added. “This family is very concerned about [its] status.”

Lippman noted that the show hired a mostly Latino writing staff.

A trailer was recently released that spotlights the deportation and immigration story line featuring five Hispanic children who struggle to survive following their parents’ deportation to Mexico.

The trailer shows the parents being separated from their children, opening with an inflammatory scene that shows the family patriarch being asked for his papers and being led out of a restaurant by government law enforcement.

Although the first episode’s airing has yet to be announced, reports indicate that it will hit the airwaves in late 2019, just in time for the pre-election mind manipulation of the public.

Jeffrey Epstein Case Cloaked in Mystery

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The mystery entangling the main protagonist in the Jeffrey Epstein drama is no doubt more vast and intricate than mainstream media sources would have us believe.

Allegations against the multi-millionaire are monstrous. Scores of sexual abuse offenses involving young women are alleged to have taken place between the years 2002 and 2005.

The evidence gathered by the Palm Beach police, which began in 2005, was reportedly massive in quantity. However, Democrat prosecutor Barry Krischner inexplicably came up with a single count with which to file criminal charges against Epstein, that of soliciting prostitution. Kirschner offered Epstein what appeared to be an outrageous deal involving zero jail time.

One couldn’t help but notice that Epstein was known to be a friend and mega-donor to big-name Democrats, which included the likes of Bill Clinton, Hillary Clinton, and John Kerry.

According to his own lawyers, Epstein was part of the original group that conceived the Clinton Global Initiative. Former President Clinton was reportedly a 26-time passenger on Epstein’s private plane, which was known as the “Lolita Express.” Allegedly, also along with the former president during a 2002 trip to Africa were passenger-actors Kevin Spacey and Chris Tucker.

Local police chief Michael Reiter was reportedly outraged at the time and sought help with the state case from federal prosecutors. The then-U.S. Attorney for the Southern District of Florida, Alex Acosta, initiated a federal investigation that culminated with Epstein entering into a 2008 deal in which he pleaded guilty to two state prostitution charges, registered as a sex offender, and paid restitution to three dozen victims that were identified by the FBI. He was sent to prison.

Epstein’s jail time, though, was handled by Democrat officials, who apparently saw to it that he would enjoy the luxury of his own private wing and would additionally have the ability to spend his days at his home during the 13-month sentence. He was also given a subsequent year of house arrest in Palm Beach, Florida.

Epstein’s victims subsequently filed a lawsuit under the federal Crime Victims Rights Act. The court determined that federal prosecutors handling the Epstein sexual abuse case had violated the rights of his victims by keeping secret the deal that they had reached with him.

Adding to the controversy over how the case was handled is an underreported statement that Acosta made, which carried with it the implication that interference with the disposition of Epstein’s case may have taken place, and the interference may have emanated from a government source.

As reported by the Daily Beast, Acosta indicated that he had been told Epstein “belonged to intelligence,” that the matter was “above his [Acosta’s] pay grade,” and that he was to “leave it alone.”

Epstein reportedly entered the financial business world, taking a job for a period of time with investment bank Bear Stearns and subsequently leaving the firm in 1981. According to the Miami Herald, Epstein was a “key federal witness in the criminal prosecution of two prominent executives with Bear Stearns.” The executives were later acquitted.

Reports dealing with Epstein characterize him as a billionaire and a money manager. Interestingly, the man doesn’t appear to be either. He has not been ranked or listed on the Forbes 400 list. According to Forbes, “…there is scant proof he holds a ten-figure fortune.”

The manner by which Epstein became wealthy is an enigma. His fortune reportedly comes from his money management firm, The Financial Trust Co., which is located in the U.S. Virgin Islands. However, the Wall Street trading desks don’t know of Epstein’s transactions, nor do his dealings appear in business trade publications as would be expected.

Little to no information regarding a client list or other records has thus far been made public by The Financial Trust Co. One known former Epstein client is retail billionaire Leslie Wexner, who reportedly stopped doing business with Epstein more than 10 years ago.

According to reports, Epstein employed no portfolio managers or analysts. Instead he purportedly handled by himself investment decisions involving tens of billions of dollars.

Epstein seemed to be able to rub elbows with the rich and famous even after he bore the stigma of registered sex offender. One might think that after the #MeToo scandals in which Spacey, Harvey Weinstein, and Les Moonves became embroiled, the highly recognizable level-three registered sex offender would be persona non grata at entertainment industry events.

Not so. In late 2010 Epstein held a dinner party for Great Britain’s Prince Andrew at his New York 71st Street mansion, with guests that included Chelsea Handler, Katie Couric, Woody Allen, Charlie Rose, and George Stephanopoulos. In 2011 Epstein attended a “billionaire’s dinner” along with Silicon Valley celebrity CEOs Jeff Bezos and Elon Musk. And in 2016 Epstein was in attendance at the celebrity filled premiere of the Warner Bros. film “Batman v. Superman: Dawn of Justice.”

Epstein’s is a saga that involves some of the nation’s most wealthy and powerful, those individuals whose status affords them the opportunity to hobnob in elite circles that stretch from East Coast to Left and beyond.

Details involving the case are still in the process of unfolding and probably will be for a long time to come. So, too, will its foul nature, drama, and mystery.

Hollywood’s Human Rights Duplicity

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After a law was passed in Georgia to save the lives of pre-born babies with detectable heartbeats, many in Hollywood grabbed their leftist playbooks and began clamoring for a boycott of the state.

Netflix, Disney, and a smattering of Left Coast companies threatened to pull production away from Georgia if the implementation of the law began to take effect.

Allyssa Milano, who had previously called for women to boycott Georgia by means of restraint of affections, has now made a color-coded map of states deemed “most threatened,” “under threat,” or “least threatened” by pro-life legislation.

Despite the high degree of virtue signaling that has taken place regarding the issue, Hollywood continues to conduct business with foreign governments that hold abysmal human rights records.

The very same Hollywood companies that give lip service to the women empowerment movement continue to engage in an all-out quest for money from countries with dreadful women’s rights records, including Saudi Arabia, which consistently ranks in the “worst of the worst” category, according to Freedom House.

The nation of Brunei has a Sharia-based penal code, which imposes death by stoning for extramarital affairs or certain sexual acts as well as amputation of limbs for theft crimes, among other brutal penalties for criminal offenses.

Human Rights Watch states that Brunei’s Sharia law imposes “a wide range of restrictions that discriminate against women and sexual and gender minorities” and “violates freedom of expression and religion.”

Entertainment moguls continue to use the Beverly Hills Hotel for power meetings, ignoring the fact that the venue was boycotted several years ago when the owner of the hotel, the Sultan of Brunei, first decreed Sharia law.

Viktor Orbán, Hungary’s nationalist prime minister, is roundly condemned by Hollywood’s media allies on the left for his tough stand on illegal immigration, particularly when it comes to the outsized migrant population that has been flooding European countries in recent years.

The establishment media became frenzied recently when President Trump praised the Hungarian prime minister for a “tremendous job.”

“You’re respected all over Europe,” President Trump said. “Probably, like me, a little bit controversial, but that’s OK, You’ve done a good job and you’ve kept your country safe.”

For his part Orban told the press, “I would like to express that we are proud to stand together with United States on fighting against illegal migration, on terrorism, and to protect and help Christian communities all around the world.”

Vox characterized the meeting as one “between two like-minded illiberal leaders, men at the forefront of the campaign to undermine Western democracy from within.”

Vox’s statement epitomizes the worldview of liberal Hollywood. Still, many entertainment companies continue to shoot various productions in Hungary, despite differing so fundamentally with the country’s national and political ideology.

It is shockingly real that China, the most dangerous nation to America’s future, is now making decisions on what entertainment content Americans will consume, courtesy of the Hollywood companies that kowtow to the communist censors in Beijing.

Left Coast filmmakers are financing projects, partnering up with Chinese state-controlled companies, and distributing finished product in China. Hollywood firms have partnered on the production of a number of well known films, including “Mission: Impossible – Fallout” and “Venom.”

Only a small number of foreign movies are allowed into China each year. Studios are routinely permitting Chinese censors to alter themes, plots, and characters of the movies that are allowed into the country, in an effort to gain access to China’s market.

The ruling Communist Party will not allow media content that deals with religion, alcoholism, ethnic conflict, homosexuality, or any subject that might be critical of the government.

The disaster movie “2012” has a plotline in which the Chinese government rescues humanity. In the film “Gravity,” actress Sandra Bullock is able to survive in outer space via the safety provided by a Chinese Space Station. The makers of Marvel Studios’ “Doctor Strange” were evidently pressured to change a Tibetan character to a Celtic one in order to satisfy Chinese predilections about Tibet. The Academy Award winning “Call Me By Your Name” was banned in China for its depiction of homosexuality. Metro-Goldwyn-Mayer and Walt Disney Studios had to re-edit the films “Skyfall” and “Iron Man 3” respectively, in order to please Chinese censors.

China is now attempting to destroy the rule of law in Hong Kong with a highly dangerous extradition bill. The proposed bill recently resulted in millions of protesters taking to the streets. If implemented as law, the bill would subject the citizens of Hong Kong to the kangaroo courts of mainland China, which are known for being devoid of due process.

In truth, Hollywood has become a puppet of authoritarian rulers that suppress freedom of thought, word and deed. Meanwhile the town’s silence on the human rights records of countries around the globe is deafening as its own greed eclipses conscience.